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Working reductively within a time-based practice, Stefany Hemming draws through painted matter until it is no longer malleable. Entangled networks

of imagined multiple species emerge through darkness. Biophilia, symbiosis, and plant intelligence are some of the themes of study as Hemming seeks

out the more-than-human in the anthropocentric world. 

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Stefany Hemming lives and works on the unceded, traditional, and ancestral xʷməθkʷəy̓əm (Musqueam), 

Sḵwx̱wú7mesh Úxwumixw (Squamish), and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) territories.